What is the meaning of induction for you? Reality teaches limits of induction with every prolonged observation - induction leads to expect daylight forever after observing minutes of daylight, but sun sets eventually.
Induction is inert, passive - escaping inertia requires action.
Not so much both extremes, but a push towards one pole, because we are currently in a very one sided paradigme. Overcorrection is i think part of recalibration, like a string strung returning to equilibrium
“So, you mean paradox, (think of the rabbit-duck); metaphor; the spirit of the Trickster (neither good nor evil, but responsible for both). And finally the most fitting, Taoism, which certainly influences the thought of Tu Weiming.
Being like water...
By the way, I would like to introduce the american philosopher Eli Siegel, you'd certainly like, he was an accomplished poet and philosopher, his 'system' was what he called 'Aesthetic Realism'. Despite all that he is very forgotten nowadays.
According to a person I prefer not to mention the name, his philosophy can be summarized thus:
"People are fundamentally seeking to “unify opposites” within themselves and in their relations with each other and with the world. The arts are seen as key means or expressions of such unity. The primary danger — the “original sin,” so to speak — is contempt: the temptation to think that you will enhance yourself by demeaning someone else. It is, of course, difficult (and sometimes in fact inappropriate) not to be contemptuous of certain persons or things. Siegel’s point is that you should make sure that you have not got into the habit of actually seeking such situations so as to make yourself feel better by contrast."
About the remarks on the question of pain in the end of the text, Hemingway had it:
'The world breaks everyone and those that will not break, it kills. It kills the very good, and the very gentle, and the very brave, impartially.'
Fernando Pessoa similarly wrote about it too: the fate of geniuses:
"In every case, the nobler the genius, the less noble the fate. A small genius gets fame, a great genius gets obliquy, a greater genius gets despair; a god gets crucifixion.
The curse of genius is not, as Vigny thought, that it is adored but not loved; it is that it is neither loved nor adored .
Wilde was never so much attested a genius as when the man on the railway platform spat in his face when he was gyved. A great harm has come to many geniuses: their faces are unspat."
What is the meaning of induction for you? Reality teaches limits of induction with every prolonged observation - induction leads to expect daylight forever after observing minutes of daylight, but sun sets eventually.
Induction is inert, passive - escaping inertia requires action.
I think he's saying induction lies in and is the boldness of action. Induction is the leap of faith into living in reality.
Brain-in-a-jar locked into working everything out with reason is a means to think you know everything while accomplishing/doing nothing.
The extremes are both error.
Not so much both extremes, but a push towards one pole, because we are currently in a very one sided paradigme. Overcorrection is i think part of recalibration, like a string strung returning to equilibrium
COOL!
I've made the following comment in other post (https://rossioncoyle.substack.com/p/dialogic-and-dialectic Ross is brilliant), I think it is appropriate to share here as well:
“So, you mean paradox, (think of the rabbit-duck); metaphor; the spirit of the Trickster (neither good nor evil, but responsible for both). And finally the most fitting, Taoism, which certainly influences the thought of Tu Weiming.
Being like water...
By the way, I would like to introduce the american philosopher Eli Siegel, you'd certainly like, he was an accomplished poet and philosopher, his 'system' was what he called 'Aesthetic Realism'. Despite all that he is very forgotten nowadays.
According to a person I prefer not to mention the name, his philosophy can be summarized thus:
"People are fundamentally seeking to “unify opposites” within themselves and in their relations with each other and with the world. The arts are seen as key means or expressions of such unity. The primary danger — the “original sin,” so to speak — is contempt: the temptation to think that you will enhance yourself by demeaning someone else. It is, of course, difficult (and sometimes in fact inappropriate) not to be contemptuous of certain persons or things. Siegel’s point is that you should make sure that you have not got into the habit of actually seeking such situations so as to make yourself feel better by contrast."
His website with his essays, poems, texts etc: aestheticrealism.net (http://aestheticrealism.net/) ”
Eli Siegel deserve to be made known
About the remarks on the question of pain in the end of the text, Hemingway had it:
'The world breaks everyone and those that will not break, it kills. It kills the very good, and the very gentle, and the very brave, impartially.'
Fernando Pessoa similarly wrote about it too: the fate of geniuses:
"In every case, the nobler the genius, the less noble the fate. A small genius gets fame, a great genius gets obliquy, a greater genius gets despair; a god gets crucifixion.
The curse of genius is not, as Vigny thought, that it is adored but not loved; it is that it is neither loved nor adored .
Wilde was never so much attested a genius as when the man on the railway platform spat in his face when he was gyved. A great harm has come to many geniuses: their faces are unspat."
Take the gifts.
"Maybe women"
Spit out my drink. Well written